They proceed through the flooded labyrinth and stumble into a supernatural wasteland—the same landscape in Schweick's painting—arriving in Hell itself. In 1927, an artist named Schweick works on a hellish painting in room 36 of the Seven Doors Hotel, Louisiana. We had been given the authorisation to shoot the exterior as well as interior of this historic house. The Beyond is a hauntingly bizarre slice of weirdo Fulci that leaves us, ... Lucio Fulci's southern splatter flick, just like many hallmarks within the Italian horror genre, is flawed in regards to its characterizations and its hilarious English dubbing. The Ghost Town of Zombies). Cast & Crew Show all . [22] Monreale expressed that wearing the lenses was extremely difficult for her; all of her scenes except one required her to wear them, and she had to rely on the film's makeup artist, Maurizio Trani, for assistance navigating the sets. [55] Time Out London, alternatively, called it "a shamelessly artless horror movie whose senseless story—a girl inherits a spooky, seedy hotel which just happens to have one of the seven doors of Hell in its cellar—is merely an excuse for a poorly connected series of sadistic tableaux of torture and gore. Surrounded on all sides, Harris is killed by flying glass and John is forced to despatch Jill when she transforms and attacks Liza. 100 miles (160 km) from the Otis House that we used as the exterior of the Hotel of the story there was a long and narrow lake. His outdoor photography is grainy and otherworldly, lending the film’s horrifying events a sense of ironic displacement. [18] Instead, audiences largely responded with fear, prompting them to make a straightforward horror film. This unrelenting shock-feast packs good make-up and special effects make-up by the maestro Gianetto De Rossi. She is confronted with strange events. [28] Chris Alexander of ComingSoon.net also ranked the film's main theme, "Voci Dal Nulla" (English: "Voices from the Void"), one of the greatest horror film themes ever composed. Italy, 1981. [22] Among these for Monreale was her character's violent death sequence, in which she is viciously mauled by her dog. [41] 7 Doors of Death was a commercial success, grossing $455,652 during its first week of release;[44] Levine estimated that the film turned him a profit of roughly $700,000. A group of random people are invited to a screening of a mysterious movie, only to find themselves trapped in the theater with ravenous demons. Lucio Fulci Fun Facts: Awards & Festivals Show all . [36] Following the director's passing, the North American distribution rights to the film were acquired by Bob Murawski and Sage Stallone for their company Grindhouse Releasing, which partnered with Quentin Tarantino and Jerry Martinez's Rolling Thunder Pictures and Noah Cowan's Cowboy Booking International to re-release the film through a series of midnight screenings that began in Los Angeles, New York City and five other locations on 12 June 1998, followed by a national roll-out. Written just after Fulci's death in the mid-1990s, this little book is a gushing tribute by a huge fan. The blueprints reveal a large, unexplained space in the basement. A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell. Chopped by censors in 1983, it took nearly 20 years and Quentin Tarantino's help before the film saw a … Lucio Fulci's undead epics, with their over-the-top depictions of graphic violence, fall squarely into this splatter category, or so it seems, at first. A painter has a lethal fall, the plumber vanishes and her friend breaks his neck. [18], Sacchetti's conception of the "beyond" was based on his own ruminations on death, and the "suffering of being born condemned to death... [of being] born to be erased". Life and career The early years. A young girl, with an amazing ability to communicate with insects, is transferred to an exclusive Swiss boarding school, where her unusual capability might help solve a string of murders. [18] Salvati contrasted the urban New Orleans settings with the "cooler" interiors of the hotel, which often feature cool blue, orange, and violet lighting. Milan Film Festival. "[1] The review also critiqued the dub, noting its "sheer ineptitude". In 1979, Lucio Fulci released a film called Zombi 2, The film was made from a screenplay by Dardano Sacchetti and is kind of an unofficial sequel to George A. Romero’s Dawn of the Dead, released in Italy as Zombi. The largely incoherent plot has something to do with a turn-of-the-century curse and a doorway to hell in the cellar of an old New Orleans hotel. You must be a registered user to use the IMDb rating plugin. "[50] Bill Kelley of the Sun-Sentinel similarly praised the film's visual elements, including the sepia prologue, but added: "The problem is, whenever someone in the film is trying to act, the camera is recording something that's really not worth seeing," ultimately classing it as a "Z-grade horror movie. [12] Film scholar Wheeler Dixon similarly wrote that the "slight framing narrative is merely the excuse for Fulci to stage a series of macabre, distressing set pieces". It is a film that is far more effective in recollection than it is as an actual viewing experience. Despite Emily's warning, Liza enters room 36 and discovers the Eibon as well as Schweick's corpse nailed up against the bathroom wall. Lucio Fulci’s cameo appearance : The director here portrays a town clerk. The hotel is an excuse, the characters are an excuse—what counted was the weaving of pure emotions. Due to be released on January 13th Lucio Fulci’s The Beyond is set for a very special edition from a brand new 2k scan. Emily is confronted in her home by the animated corpses of Schweick and the other recently deceased. Lucio Fulci, as Town Clerk (uncredited), passed away at the age of 68 in Rome, Lazio, Italy. Fulci, who died in 1996, was sort of an Italian Hershell Gordon Lewis. [20] The sequence was shot on an empty soundstage which had leftover sand from a previous film,[18] and random civilians were hired off the street to appear as inanimate corpses lying in the sand. Lucio Fulci’s The Beyond (1981) By Bill Gibron / 15 October 2007 . [29] In 1981, the score was released in Italy on vinyl through Beat Records Company. A local doctor, John McCabe (David Warbeck), is summoned and he takes the injured man to hospital. The Black Cat » Leave a Reply Cancel reply. "... And you will live in terror! A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell. And he said 'the beyond.' [22] To minimize discomfort, Trani would regularly remove the lenses from the actors' eyes and disinfect them between takes. [59] Film critic Steven Jay Schneider ranked the film number 71 in his book 101 Horror Movies You Must See Before You Die (2009). Then, after they're killed, they get ugly.. We never know why they get killed or why they get ugly, which leads me to suspect that maybe this is an art film. [26], The special effects during the film's first morgue scene in which a bottle of acid is poured over the face of Mary-Anne were created by effects artist Germano Natali. A young woman who is heir of the hotel wants to restaurate it. [61] Both releases featured the fully uncut 89-minute version of the film. This genuinely frightening story with correct utilization of images-shock is well photographed by Sergio Salvati on location in Louisiana and Italy . [31] A compact disc version had been released previously in 2001 by Dagored Records. In this gore classic, a woman inherits a hotel built over an entrance to Hell. The beyond) is a 1981 Italian Southern Gothic[6][7] supernatural horror film directed by Lucio Fulci, and starring Catriona MacColl and David Warbeck. L'aldilà, lit. Following its release, reception of The Beyond was polarized. [43] According to Levine, the title change was a result of his belief that the original title was too nebulous, and that the film's "Seven Doors" plot device was a more interesting narrative hook that would intrigue audiences. [26] To achieve the melting effect of the face, real sulfuric acid was dumped over a cast of the actress's face, which was made of a mixture of wax and clay; sulfuric acid dissolves the latter substance. ", "The Beyond's Coast-to-Coast Trek Rolls On", "Film 'Seven Doors of Death' just isn't worth your time", "E tu vivrai nel terrore - L'aldilà (The Beyond) (1981)", "The 100 best horror films - the scariest movies ranked by experts", "Grindhouse Releasing's The Beyond Blu-ray Detailed", https://en.wikipedia.org/w/index.php?title=The_Beyond_(film)&oldid=1022588080, Short description is different from Wikidata, Articles containing Italian-language text, Articles containing explicitly cited English-language text, Articles containing potentially dated statements from October 2019, All articles containing potentially dated statements, Creative Commons Attribution-ShareAlike License, This page was last edited on 11 May 2021, at 10:41. They return to room 36 but both the Eibon and the corpse are gone. A painter has a lethal fall, the plumber vanishes and her friend breaks his neck. Lake Pontchartrain Causeway, New Orleans, Louisiana, USA. Lucio Fulci – The Beyond. [22] On set, Fulci jokingly referred to the fake dog head as "Puppola. The Beyond Let our editors help you find what's trending and what's worth your time. [24] Due to the language barrier, much of Fulci's direction was done with "miming, making faces and moving his body in order to make the actors understand what he wanted of them. [26] Trani's hands appear onscreen as the nailer who completes the crucifixion. [18] Originally, the film's final sequence in which the characters enter the "beyond" was meant to take place at an amusement park, where the two main characters, now dead, are able to enjoy themselves in a "great amusement park of life". by: FreeMoviesHere category: Horror added: 11 years ago Watch THE BEYOND trailer. Strangers searching for a young woman's missing father arrive at a tropical island where a doctor desperately seeks the cause and cure of a recent epidemic of the undead. What they did was something horror lovers were waiting a long time for. [26] Close-up shots of Mirabella's real mouth were intercut with ones of his false mouth (including close-ups of a fake tongue) as it is bitten by the spiders, resulting in a seamless image of the attack. [18] Simpson describes the trilogy as being loosely "connected by the trope of hapless mortals literally living on top of an entrance to Hell and then inadvertently falling into it". [36] The BBFC passed it with an X rating demanding several cuts and subsequently included it on the video nasties list. "[24] As he was a fluent Italian speaker, Ray served as Fulci's translator and interpreter throughout the shoot. Upon discovering this, Martin is knocked off his ladder by an unexplained force. Contemporary and retrospective critics have praised the film for its surrealistic qualities, special effects, musical score and cinematography, but note its narrative inconsistencies; horror filmmakers and surrealists have interpreted these inconsistencies as intentionally disorienting, supplementing the atmospheric tone and direction. The Beyond (Italian: L'aldilà, also released as Seven Doors of Death) is a 1983 Italian-Spanish horror film directed by Lucio Fulci. L'aldilà (1981)", "Substream's 31 Days of Halloween: 'The Beyond' (1981)", "More than Just Gore: The Macabre Moral Compass of Lucio Fulci", "Godfather of Gore Lucio Fulci's 'The Beyond, "Larry Ray – actor/assistant to the producer (The Beyond)", "My Stunt Fall to a Bloody Death, First to Die From the Deadly Zombie Gaze - Rare Production Photos", "Frizzi 2 Fulci: A Look at Composer Fabio Frizzi's Work with Director Lucio Fulci", "The Beyond issue 1 Extras Revealed on sale Next Friday Oct 25th", "Rolling Thunder, Grindhouse and Cowboy Go 'Beyond' Dinner and a Movie, To Midnight", "There Was a Shot from Fulci's 'The Beyond' in Raimi's 'Spider-Man'?! Keep track of everything you watch; tell your friends. Maybe this is not an art movie. In the world of horror, you either “get” Lucio Fulci or you don’t. [20], To achieve the film's stark visual style, cinematographer Sergio Salvati photographed the New Orleans exteriors using "warm colors" in hope of capturing the "sun, the heat, [and] the jazz" of the city. John Thonen of Cinefantastique wrote that The Beyond has "a story structure akin to that of an advanced fever dream". 2019. A young woman who is heir of the hotel wants to restaurate it. Whether he should be viewed as a cheap sensationalist or just a genius Fulci has a loyal fan base and undeniably has an important and unique influence on the terror genre , creating great works on a low budget such as proved in ¨ The black cat ¨, ¨Manhattan baby¨, ¨Gates of Hell¨, ¨Island of the living dead¨, ¨New York ripper¨ , among them. It is the second film in Fulci's "Gates of Hell" trilogy after City of the Living Dead (1980), and was followed by The House by the Cemetery (1981).[8]. [41] To promote this release, Levine screened the film for Kim Henkel and Tobe Hooper, the respective co-writer and director of The Texas Chain Saw Massacre (1974), who granted laudatory quotes about the film to be used in television and print advertisements. "[26] Special effects designer Giannetto DeRossi created half of a prosthetic mouth for the actor, Michele Mirabella, from latex and a dental cast he obtained from his dentist. What are the differences between the R-Rated and Unrated Version? John urges Liza to give up on the hotel project but she refuses, explaining that it is her only remaining chance at financial success. An unknown force suddenly overwhelms the pair, drenching them in blood before they escape outside. She investigates the weird deeds happened in a room and by basement of the old motel that is built on top of the door to the beyond. Via seamless branching with the film or in a separate comparison video, four versions of the prologue are presented on the disc: the standard sepia version, the color version, a black and white version, and a variant of the color version featuring a digitally-created yellow tint, which is intended to replicate Salvati's original vision for the sequence ― that of "an old, yellowed photograph, something outside time, establishing a gap between the prologue and the present day as though they were two separate films, divided by an infinite arc of time indicating the Dimension of the Afterwards". [11], Although Fulci originally intended to cast Zombi 2 star Tisa Farrow as Liza Merrill,[11] English actress Catriona MacColl was chosen after having worked with him previously on City of the Living Dead. A reporter and a psychic race to close the Gates of Hell after the suicide of a clergyman caused them to open, allowing the dead to rise from their graves. Gazing into 'The Beyond': Lucio Fulci's Cosmic Horror Masterpiece One director stands above the rest when it comes to embracing the horror of the unknown. With Catriona MacColl, David Warbeck, Cinzia Monreale, Antoine Saint-John. [64] Grindhouse Releasing, the film's North American distributor, released the film in 2015 on high-definition Blu-ray in the United States, featuring two Blu-ray discs as well as a CD soundtrack. But soon the Gates of Hell themselves open under the hotel, rendering their fight futile as the dead emerge to walk the earth in Fulci’s masterpiece of metaphysical horror The Beyond. Invite us into your inbox! [23], After filming had completed in the United States, additional photography took place at De Paolis Studios in Rome, primarily consisting of the special effects-intensive scenes. Lucio Fulci or Sergio Salvati had the idea to use the lake for the scene with the boats loaded with the angry mob with torches. ... Get us in your inbox Sign up to our newsletter for the latest and greatest from your city and beyond A plumber, Joe, arrives to investigate the lack of running water. [22], The majority of The Beyond was filmed on location in late 1980 in New Orleans, Louisiana, as well as the outlying cities of Metairie, Monroe, and Madisonville. [24] The sequence in which Liza meets Emily on the bridge was shot on the Lake Pontchartrain Causeway,[24] while Emily's house was the same New Orleans residence used in Louis Malle's Pretty Baby (1978). [14] Fulci himself was a Catholic, and previous films of his dealt with aspects of his faith that troubled him, such as Don't Torture a Duckling (1972), with touched on corruption among clergy. This was a film that helped turn me on to Italian horror and put Fulci on my map. [46] Murawski's ownership of The Beyond's U.S. rights proved useful while editing Peter Parker's transformation scene in Sam Raimi's Spider-Man (2002): due to a lack of money to create original footage, he inserted a brief close-up shot of a spider from Martin's death scene into the sequence, along with footage from Raimi's Darkman (1990). Directed by Lucio Fulci. "[56] Critic John Kenneth Muir wrote in Horror Films of 1980s: "Fulci's films may be dread-filled excursions into surrealism and dream imagery, but in the real world, they don't hang together, and The Beyond is Exhibit A. John notes how impossible the entire ordeal is, but has no choice but to accept it as real. [16] Simpson points out that only Schweick, the warlock lynched in the film's 1927 prologue, and Emily, a "seeress who transcends temporality", possess the "necessary sight" to interpret the contents of the book. [18] Some elements of the screenplay were derived in an arbitrary manner, such as the design of the Eibon symbol, which Fulci based on the shape of a trivial amateur tattoo his daughter had gotten on her arm. It has more potential than dozens of past and present Hollywood horror films, yet finds ways to squander and squelch each and every golden gruesome opportunity. "[18] After receiving De Angellis's approval, Fulci requested that Sacchetti begin writing a full screenplay based on the brief treatment they had completed. Lucio Fulci was born in Trastavere, Rome, on 17 June 1927.His mother Lucia was from a poor but reputable Sicilian, politically anti-fascist family from Messina, Sicily.She had earlier eloped to Rome with a lover who later left her to raise their child (Lucio) alone. b. June 17, 1927, Rome, Italy d. March 13, 1996, Rome, Italy. Liza enters the hotel basement once more and is attacked by the last remaining hotel worker, who has also turned into the living dead. [18], According to Ray, Fulci had no official shooting script present while filming The Beyond,[23] only a treatment that ran three pages in length:[24], The early concept script outline was only three pages with a story quite different from the one of the final movie. Nous profitons pour dire que toute aide est la bienvenue. Beyond Terror: The Films of Lucio Fulci is an astonishing and exhaustive examination of the life and career of the controversial Italian filmmaker who died of diabetes shock more than twenty years ago at the age of 68. [35] In England, the film had difficulty with censors. [11] Partway during the shoot, French actor Antoine Saint-John, who played the doomed painter Schweick, was replaced by Giovanni De Nava, who played the "zombified" version of the character;[11] De Nava is sometimes mistakenly credited for playing Joe. [58] Time Out London conducted a poll with several authors, directors, actors and critics who have worked within the horror genre to vote for their top horror films. During one seemingly endless long shot, Liza (Catriona MacColl) drives toward a distant object on the road. this is one more imaginative horror pictures in which the camera stalks in sinister style . Matthias Luehr . Reviewers are divided over booth the morals and talents of Fulci (1927-1996) who sometimes directed under the alias ¨Louis Fuller¨. [24] The funeral sequence in the graveyard was shot at the Saint Louis Cemetery no. The bodies of both Joe and Schweick are soon discovered by the hotel maid, Martha, and are taken to the local hospital morgue. The cellar of an old hotel is built on top of the door to the beyond. [20] The lenses also obscured the wearer's vision, rendering them completely or nearly-completely blind. The original shooting title of the film was Urla dal profondo (transl. The Beyond (1981, Horror)The trailer for Lucio Fulci's eerie and often nonsensical "The Beyond". [19], – Dardano Sacchetti on the arbitrary nature of the film's setting[18], The base concept for The Beyond was devised by Fulci, Giorgio Mariuzzo, and Dardano Sacchetti. Liza starts to follow her but stops when she realizes that Emily and Dicky did not make any audible footsteps as they left. Bloody zombies roam there. the beyond (l'au dela) de lucio fulci est certainement le film le plus representatif du style de son auteur et l'un des plus gore aussi. [40][41] Levine purchased the U.S. distribution rights for around $35,000,[41] and spent an additional $10,000 on additional post-production work, which included replacing Frizzi's music with a new score by Mitch and Ira Yuspeh,[8][42] as well as truncating it by several minutes in order to achieve an R-rating. "[57] A similar sentiment is echoed by Bill Gibron of PopMatters, who wrote of the film in 2007: The Beyond is an incoherent, chaotic combination of Italian terror and monster movie grave robbing that is almost saved by its bleak, atmospheric ending. They drive to the hospital but find it deserted except for a Dr. Harris, Joe's daughter, Jill, and an army of the undead. Levene also stated that he is content with the original version being praised and preserved, and admitted that he only made the 7 Doors version as a way to gain American interest. It is the second film in Fulci's "Gates of Hell" trilogy after City of the Living Dead (1980), and was followed by The House by the Cemetery (1981). Usual secondary actors as Veronica Lazar , Al Cliver and of course special appearance of Lucio Fulci as librarian clerk . [36] It would not be released in the United Kingdom uncut until 2001 on home video. This is a creepy horror film plenty of brutal images and gory events . 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